Isn't there something else you could do instead? Even if it does fall under fair use, I think coming up with your own material would be better, both i...
I'd check with the specific school, but I'd think most undergrad programs do look at SAT scores. Grad schools tend to look at the GRE instead. Comi...
Sekonic, which manufactures light meters, has a pretty good explanation of how they work: Coming Out of Left Field
It might help to have both. That way you can be sure that you and the DP are visualizing the same thing. Coming Out of Left Field
According to one of my books, a 25mm lens is considered standard for 16mm cameras, and a 50mm lens for 35mm cameras. That being said, I think it reall...
Basically, the larger the number (the "focal length"), the larger the image will appear. For instance, if you filmed using a 25mm lens, and then switc...
This page in the FAQ probably answers your question: Coming Out of Left Field
This would be very tricky to pull off, since it seems all the focus will be on this guy, and right now he doesn't sound like that compelling a charact...
Here's a pretty good glossary: Coming Out of Left Field
This is defined in this site's "internet filmmaker's faq": Coming Out of Left Field
Another thing to consider -- even if your actors don't flub their lines or blocking, you probably do want to get at least a couple of takes for each p...
Frame rate, according to the this site's FAQ ?urlis the "number of single 'frames' of film that are exposed per second." Film is usually shot and proj...
You need to get permission for that too. It may be a foreign entity instead of an American entity, but someone will control those rights. Comin...
Plus what experience you have. I'd also "dust" your software off and get familiar with it. Coming Out of Left Field
Here you go: Coming Out of Left Field