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MoonLight
@moonlight
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Enter Moonlight Online International Film Festival
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FAQ Topics

Actors & Casting (4) Cinematography (29) Crew Role Definitions (22) Editing & Post-Production (14) Film School & Career (11) Financing (6) General Reference (13) Glossary of Terms (20) Marketing & Distribution (3) Music & Sound (6) Online Resources (1) Pre-Production (2) Screenwriting (12) Unions (2) Useful Organisations (5) Visual Effects (10)

Recent Posts

1

The Cannes Film Festival For Beginners

  • News
2

The Pros and Cons of International Co-Production

  • News
3

How to Get Film Permits and Location Releases

  • News
4

5 Beginner Tips for Better Framing and Composition in Cinematography

  • News
5

How Being Yourself Can Make You Hilarious | Taika Waititi on Filmmaking

  • News
6

Quentin Tarantino Talks Recreating the 1960s Through Soundscapes

  • News
7

Crewing Up Online: How to Hire a Professional Production Team

  • News
8

Ultimate Guide to the Sundance Film Festival

  • News
9

AI Helps Up Scale 1896 Lumiere Brothers Film to 4K 60fps

  • News
10

Disney Uses Epic’s Unreal Game Engine to Render Virtual Sets In Real Time on The Mandalorian

  • News
11

3 Fundamental Ways of Adding Sound to Film

  • News
12

The Sound of Monsters University

  • News
13

Becoming The Entrepreneurial Filmmaker

  • News
14

Time to Ditch Premiere Pro CC for DaVinci Resolve 16? Engadget Says Maybe

  • News
15

The Sound of First Man

  • News
16

4 Tips To Help You Begin a Documentary Film

  • News
17

Netflix Announces Post Technology Alliance to Help Filmmakers Prep Deliverables

  • News
18

Blackmagic Follows Apple’s Lead and Releases it’s own RAW Video Codec

  • News
19

Screenplay Competitions – Are they worth the entry fee?

  • News
20

Six Key Areas in Which Film Festivals Need To Up Their Game

  • News
21

The Hollywood Reporter Introduces You to 25 Industry Players Who Can Get Indie Films Made

  • News
22

4 Filmmaking ‘Rabbit Holes’ To Avoid

  • News
23

RED Announces the New Monstro 8K VV Full-Frame Sensor for WEAPON Cameras

  • News
24

Blocker App Brings Augmented Reality Shot-Planning to Your iPhone

  • News
25

12 Angry Men- A Lesson in Staging

  • News
26

How to Make a Blockbuster Movie Trailer

  • News
27

Common Mistakes Directors Make When Adapting a Book into a Movie

  • News
28

Clint Eastwood Gives the Cinema Masterclass at the 2017 Cannes Film Festival

  • News
29

How to Film Safely at Height

  • News
30

Behind the Scenes With the New RED Weapon 8K Camera on Guardians of the Galaxy Vol.2

  • News
31

The Economist Thinks We’ve Reached ‘Peak Indie’

  • News
32

Financing Your Short Film – Three Ways to Bypass Industry Gatekeepers

  • News
33

Pixar in a Box – Free 9 Part Course in Storytelling

  • News
34

The 24 Best Movie Posters of 2016

  • News
35

How to spot a scam film festival

  • News
36

5 Movies that Will Change Your Perception of Movie Making

  • News
37

The Fifteen Points of Mise en Scene

  • News
38

Kodak to offer free filmstock to Kickstarer filmmakers

  • News
39

How To Stop Your Characters’ Dialogue From All Sounding The Same

  • News
40

Review: Directing Motion Tour with Vincent Laforet Bundle

  • News
41

Star Wars: The Force Awakens VFX Reel

  • News
42

Just When You Thought They Were Out… Kodak Launches Super 8 Revival

  • News
43

Tarantino and Team Talk About Shooting for 70mm on The Hateful Eight

  • News
44

Birdman and the Secret of ‘Continuous’ Takes

  • News
45

Script Rewrites: The Good, The Bad, and The Convoluted

  • News
46

Manage Collaboration During Post More Effectively with Everytime

  • News
47

Callsheet Operator – Call sheets for the 21st century

  • News
48

Should Authors Become Screenwriters?

  • News
49

CGI and Practical Visual Effects of Mad Max: Fury Road

  • News
50

Composing movement, Kurosawa style

  • News
51

How to be a Filmmaker

  • News
52

Understanding Speedboosters

  • News
53

Becoming a Full-Time Filmmaker: When to Quit Your Day Job.

  • News
54

The Man Behind the Voice – Getting the Most from ADR

  • News
55

Why a Director Shouldn’t Edit Their Own Film

  • News
56

Why You Shouldn’t Use Shaky-Cam

  • News
57

The Sound of Interstellar

  • News
58

Effective Scenes – Silence of the Lambs

  • News
59

Beware of scam ‘film festivals’ and dubious competitions.

  • News
60

FEAR ON FILM: Landis, Carpenter, Cronenberg!

  • News
61

Matt Damon and Ben Affleck Want You For Project Greenlight

  • News
62

Top 10 Most Effective Editing Moments of All Time

  • News
63

Game of Thrones S04 VFX Reel

  • News
64

Michael Bay and ‘Bayham’

  • News
65

Voice Over Recording Equipment

  • News
66

Making my first Commercial: A Filmmaker’s Diary

  • News
67

COMPETITION: YouTube and D&AD Launch ‘Next Director’ Award

  • News
68

COMPETITION: Win a scholarship to Budapest Film Academy

  • News
69

How an Actor’s Face Changes With Lighting

  • News
70

New Mo-Cap Rig Renders Scenes in Real-Time

  • News
71

Interview with VFX Pioneer Dennis Muren

  • News
72

D16 Bolex ‘Digital 16mm’ Camera Available to Pre-Order

  • News
73

How To… Film The Great Outdoors Using a DSLR

  • News
74

3 New Skills Every Digital Editor Should Develop

  • News
75

Film School Thru Commentaries

  • News
76

Movie Poster Cliches

  • News
77

The future of cinema and TV: It’s game over for the hi-res hype

  • News
78

4 Reasons Why Video Glasses Could Replace External Camera Monitors

  • News
79

Lucas & Spielberg’s Death Knell and What it Means for Indie Creators

  • News
80

The Changing Shape of Cinema: The History of Aspect Ratio

  • News
81

How to Create Subtitles

  • News
82

Director Kory Martin Juul Creates CG Feature Almost Single-Handedly

  • News
83

What Could Remake-Obsessed Hollywood Learn From Shakespeare?

  • News
84

Three Online Colleges that Offer a Degree in Filmmaking

  • News
85

Zach Braff, Kickstarter, and Financing Your Film For Free

  • News
86

The Next Greatest Thing of the Movies… Not!

  • News
87

3 Tips for Terrific Title Sequences

  • News
88

Technicolor Adds Final Cut Pro X Support to Color Assist

  • News
89

The Roles of a Producer

  • News
90

Kodak’s 2013 Student Scholarship Program

  • News
91

Through the Lens: Conversations with Cinematographers, Dean Cundey

  • News
92

Top 5 – Crowd Funding Mistakes

  • News
93

Have Seamless Green Screen Sets Finally Arrived?

  • News
94

Documentary Filmmaking: When Lying Tells the Truth

  • News
95

COMPETITION: Nokia + Music Video + Sundance London = Cash Prizes!

  • News
96

How to be Quentin Tarantino

  • News
97

The Sound of The Hobbit: An Unexpected Journey

  • News
98

How Digitization Affects Film Festivals

  • News
99

COMPETITION: Win a Scholarship to Study Filmmaking or Screenwriting at Budapest Film Academy

  • News
100

HFR Filmmaking with Hollywood FX Pioneer Douglas Trumbull… from the 1980s

  • News
101

TUTORIAL: Colour Grading a Sequence in Final Cut Pro

  • News
102

Big Apple Film Festival: November 14th-18th

  • News
103

The Sound and Music of ‘The Dark Knight Rises’

  • News
104

Festival du Nouveau Cinéma

  • News
105

How To Move from Photography to Cinematography

  • News
106

Recommended Read: ‘My Indecision is Final’ by Jake Eberts

  • News
107

GreenlightMyMovie Wants to Get Your Work In Front of Hollywood

  • News
108

Tom Cruise Wants to Help You Make Movies With Your Mobile

  • News
109

COMPETITION: ‘Imagination Series’ with Oscar-Winning Screenwriter Geoffrey Fletcher, Tribeca Film Festival, and Bombay Sapphire

  • News
110

San Francisco Frozen Film Festival, July 2012

  • News
111

The Sound of Prometheus

  • News
112

TUTORIAL – Quick Car Crash in After Effects

  • News
113

REDucation X – Learn to Shoot RED, the ‘Deep-End’ Way

  • News
114

So You Want To Break into Comedy Writing?

  • News
115

SeeFlik Offers Biannual Filmmaking Competition… With Cash Prizes!

  • News
116

The Shaky Cam Trend

  • News
117

Greeting Cards for Movie People

  • News
118

How Long Should Your Short Be?

  • News
119

Editing Dialogue Tutorial: How to Edit a Dialogue Scene

  • News
120

Horror Effects That Won’t Scare Your Budget

  • News
121

Secrets to Film Distribution Success

  • News
122

Negotiating The Holdback: What’s At Stake

  • News
123

Technology and Film Editing

  • News
124

‘The Hobbit’, Shooting with 48(!) RED Cameras… at 48fps

  • News
125

The New New Thing…

  • News
126

Creative Minds Cannes Internships

  • News
127

How To: Filmmaking Techniques, Camera Angles and Basic Shots

  • News
128

Flixfling Introduces Indiefling Channel for Independent Filmmakers

  • News
129

Montana Film Office to Give Away $20k in ‘Pitch the 406’ Contest

  • News
130

DIY: How to make inexpensive cheap homemade LIGHT STANDS (PVC)

  • News
131

An Innovative Approach to Royalty-Free Music and Sound FX for Your Project

  • News
132

DIY: How to make a cheap BOOM POLE and SHOCK MOUNT

  • News
133

POINTS OF INTEREST: How Drugs, Rock and Roll and No Sex Made a Movie

  • News
134

The Hollywood Reporter 2011 Film School Rankings

  • News
135

Competition: Want to Make a Music Video for Queen?

  • News
136

Film London’s Market Place Live: From Inception to Exhibition in 90 Minutes

  • News
137

Raindance and Direct Line Challenge You to Tell a Story in 40 Seconds Straight

  • News
138

RED vs. Alexa? Depends on the job.

  • News
139

So You Want to Make a Movie?

  • News
140

DA VINCI for Free is the best marketing strategy ever

  • News
141

Get Someone to Help you with the Scissors

  • News
142

Lessons Learned on a Microbudget Horror Film

  • News
143

Anatomy of a Scene: The Building Blocks of a Memorable Movie

  • News
144

EPIC and the change in RED from Consumer pricing to Professional Pricing

  • News
145

So You Want to Make a Movie: Team Work

  • News
146

The filmmaking.net Links Directory is Now Live!

  • News
147

High School Filmmakers Tear Down Walls

  • News
148

Trailer Festival 2011 Now Accepting Submissions

  • News
149

Returning to Super 8

  • News
150

Building Suspense: How to Keep the Audience on the Edge of Their Seat

  • News
151

Screenwriting: How to Get and Work with an Agent

  • News
152

Competition – make a part of Stephen Gyllenhaal’s next film

  • News
153

Filmmaking is Making Widgets

  • News
154

Ambitious Internet TV start-up looking for indie film content

  • News
155

Product placement app launches, promotes ‘scripts first’ policy

  • News
156

Free Cinematography Tutorials

  • News
157

Book Review: The Guerilla Filmmaker’s Pocketbook

  • News
158

Time Warner Cable and IFC Want to Take You to Sundance 2011

  • News
159

Preproduction: How to Make Sure You’re Ready Before You Walk on the Set

  • News
160

Interview with Legendary Documentary-Maker Ken Burns

  • News
161

New HD Art Channel Looking For Experimental Films

  • News
162

IFP Filmmaker Conference: The Future of Film

  • News
163

The San Francisco Film Festival Lives Up to Its Reputation

  • News
164

Really Interesting Interview with Producer Gary Kurtz (Star Wars, Dark Crystal..)

  • News
165

Experience Boston’s Fabulous Film Festival

  • News
166

Is Your Script Ready?

  • News
167

Phillips and Ridley Scott challenge filmmakers to ‘Tell It Your Way’

  • News
168

Experience the Magic of the Chicago International Film Festival This Year

  • News
169

Win Storage Gear and €5000 with Hitachi G-Technology

  • News
170

Get Your Short Factual Film Funded by Don’t Panic

  • News
171

Will the Real Author Please Stand?

  • News
172

Video: Working with 3D – The Sony World Cup Commercial

  • News
173

Focus 2010 – World Film Market Trends

  • News
174

Virgin Media Shorts is a short film competition that champions undiscovered talent.

  • News
175

Book Review: Think Outside of the Box-Office

  • News
176

Have a Sync: the new tool for music licensing

  • News
177

Self Distribution: The Only Game in Town

  • News
178

Distribution: The Never Ending Story

  • News
179

Tribeca Film Festival: Can Social Media Help ‘Indie’ Filmmakers Make It Big?

  • News
180

What I Really Want to Do Is Direct, Part I

  • News
181

How to Market and Sell Your Movie on The Internet

  • News
182

Should You Move To Los Angeles?

  • News
183

5 Tips for a Successful Film Reel

  • News
184

Filming Interviews for a Documentary

  • News
185

Risky Business: Producing ‘Indie’ Films

  • News
186

Tech vs Oldies Competition – Make a Mini-Doc and Win $10,000

  • News
187

Top 5 Film & Video Production Career Opportunities

  • News
188

The Heart and Soul of Great Dialogue

  • News
189

100 Prints launches new resource for British indie filmmakers

  • News
190

Show Me The Money – European Audiovisual Observatory Cannes Workshop

  • News
191

Millions of film makers can be heard over the Internet but who is listening to them?

  • News
192

Win a Free Production Kit with EDIUS

  • News
193

Video Hosting Site Quality Comparison

  • News
194

One Fat Cigar Launch Competition

  • News
195

Focus 2009 – World Film Market Trends

  • News
196

Interview: Script Pimp’s Chadwick Clough on Producing ‘Rogues Gallery’

  • News
197

Reinvent a 1980s TV Commercial for Riunite and Win $10,000

  • News
198

Keep the script bank full: Watch out for the No-Man’s Land!

  • News
199

New Short Film Distribution Guide

  • News
200

Focus 2008 – World Film Market Trends

  • News
201

Writing A Script

  • News
202

Review: ‘Movie Photos’ by Alex Bailey

  • News
203

Love Linux? Make a video and win a trip to Tokyo!

  • News
204

Review: ‘Getting Your Short Film Funded, Made, and Seen’ edited by Tricia Tuttle

  • News
205

FestBomb – A New Premium Festival Submission Service

  • News
206

Film Financing for the DIY Filmmaker

  • News
207

New Virtual Film Festival Unites Filmmakers and Film Executives

  • News
208

50 Things to Know About Film Production

  • News
209

Adding Value to Your DIY Film

  • News
210

Win a Development Deal with IFC and Red Bull

  • News
211

What Radiohead’s ‘Name Your Price’ Download Experiment Means for Filmmakers

  • News
212

Mistakes Made by Documentary Filmmakers

  • News
213

3D Storyboarding and Pre-Viz Made Easy

  • News
214

Music in Your Movie

  • News
215

The Cliff Notes to Succeeding in Hollywood

  • News
216

10 Great Production Tips to Enhance Your Film

  • News
217

WGA strike and the future of film and TV production

  • News
218

The Bollywood Piracy

  • News
219

Radar Gives New Directors Chance to Crack the Music Industry

  • News
220

Shooting Urban Films

  • News
221

Matching Independent Filmmakers with Global Distributors

  • News
222

The New Film Distribution: What You See is What You Get

  • News
223

Cannes Market Focus 2007

  • News
224

The Death of Piracy

  • News
225

Appropriating the Film Text in a Digital Age

  • News
226

HungryFlix.com offers digital distribution for indie filmakers

  • News
227

You are the Box Office Smash: The Personal Screenplay

  • News
228

How to Get Foreign Distribution For Your Film

  • News
229

POV – Inferior technology

  • News
230

BAFTA Launch ’60 Seconds Of Fame’

  • News
231

Make a Short Film, Win Cash Prizes

  • News
232

Seeing What the Camera Sees

  • News
233

How To Build A Buzz Machine For Filmmakers

  • News
234

Making the Cheapest Film on Earth

  • News
235

Making the Cheapest Film on Earth

  • News
236

Webfilm – Much ado about nothing?

  • News
237

What if I haven’t gone into production yet?

  • News
238

What Is A Pro?

  • News
239

Generate Date-Time for Podcast, Vodcast, or RSS feeds

  • News
240

What is Vodcasting?

  • News
241

Low Budget Filmmakers Must Do Everything Required

  • News
242

What if I haven’t gone into production yet?

  • News
243

Just Do It! The Art of Zen Filmmaking

  • News
244

How To Make A Real Independent Movie

  • News
245

Another Solution for Distribution is the Do-it-Yourself Approach

  • News
246

Ensuring an Audience and Repaying Investors

  • News
247

Don’t Pay Rate Card!

  • News
248

Five Good Producer Skills

  • News
249

Working with Actors for Film

  • News
250

Thinking About Distribution Before Starting Production

  • News
251

‘A Self-conscious Mise-en-scene’ a filmmaking experience

  • News
252

What to Do until the Money Arrives

  • News
253

Get Published – Write for Filmmaking.net!

  • News
254

Writing Effective Dialogue

  • News
255

War of the Words

  • News
256

V-Pods – Video iPods and the Indie Filmmaker

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