This marks the end of our elevator set guide! We've posted a wrap up on our blog and an index where we divided the different articles under CONCEPT...
In this post we break down our power saver light set up. Article: Modes & Moods: Emergency Light We're right at the end of our elevator set seri...
Now we talk about what we did to get some light into a scene where the elevator loses power and goes dark. Article: Modes & Moods: Darkness Enjo...
In the following posts we break down the different lighting modes and moods we had in Love Between Storeys. We start by dissecting the Normal Light mo...
In this update we take a look at a cardboard contraption we built to shape and block light to match our elevator door light source. We're also coverin...
Here's some weekend reading for you! First off we have a break down on our 360-degree light plan, and in Article 2 we talk about bouncing light dur...
Now it's time to talk about how we lit out film set. The first article is a brief intro to the Lighting section of our guide, including a list of gear...
Three new articles are up! This is the last batch where we talk about set dressing and logo design. In the third article we make a point of that you s...
In these new posts we take a look at our customised elevator console, and the wonder of transparent overhead sheets. Details and Logos: Floor Label...
Now we show you how we used silver paper and foamboard to create logo's, and how we combined practical set design with simple CGI to sell our film set...
In this update we talk about set dressing, starting with the elevator walls and the floor. The Elevator Set: Set Dressing Set Dressing: Making t...
New parts are up! We're still in the woodwork phase of making the elevator set. This time we have a look at how we built the ceiling, and how we ma...
Now that we've established what we were going for, it's time to start looking at how we built this stuff. In these three updates we will introduce ...
Two new parts are up! The first post is about where to build a set when you have no money for a studio. In the second we discuss how we divided the...
I think you're onto something with this, but I gotta ask: why did you shoot a dinner table scene towards a green screen? I get that it's a test, but I...