Skip to content
Filmmaking.net logo

Filmmaking.net

The Internet's Center for Filmmaking

Author Info

Writer

Andrew Dawson

Lorem ipsum is simply dummy text

Popular

  • The Cannes Film Festival For Beginners
  • The Pros and Cons of International Co-Production
  • How to Get Film Permits and Location Releases
  • 5 Beginner Tips for Better Framing and Composition in Cinematography
  • How Being Yourself Can Make You Hilarious | Taika Waititi on Filmmaking
  • News
  • Home
  • Bookstore
  • Film Schools
  • Filmmakers FAQ
  • Software
  • Links Directory
  • Message Boards
  • Home
  • Forum

Forum

Cindy
@cindy
Forum Home   |   Recent Posts
Active Member
Joined: Mar 9, 2005
Follow
Profile Activity
Topics: 2 / Replies: 0
AllTopicsReplies
Topic
Cinematography Lecture with Andrew Laszlo, ASC, NY
21 years ago
Forum
News, Promos, Announcements
Replies: 0
Views: 1153
Topic
Digital Revolution Workshop in NYC
21 years ago
Forum
News, Promos, Announcements
Replies: 0
Views: 821

FAQ Topics

Actors & Casting (4) Cinematography (29) Crew Role Definitions (22) Editing & Post-Production (14) Film School & Career (11) Financing (6) General Reference (13) Glossary of Terms (20) Marketing & Distribution (3) Music & Sound (6) Online Resources (1) Pre-Production (2) Screenwriting (12) Unions (2) Useful Organisations (5) Visual Effects (10)

Recent Posts

1

The Cannes Film Festival For Beginners

  • News
2

The Pros and Cons of International Co-Production

  • News
3

How to Get Film Permits and Location Releases

  • News
4

5 Beginner Tips for Better Framing and Composition in Cinematography

  • News
5

How Being Yourself Can Make You Hilarious | Taika Waititi on Filmmaking

  • News
6

Quentin Tarantino Talks Recreating the 1960s Through Soundscapes

  • News
7

Crewing Up Online: How to Hire a Professional Production Team

  • News
8

Ultimate Guide to the Sundance Film Festival

  • News
9

AI Helps Up Scale 1896 Lumiere Brothers Film to 4K 60fps

  • News
10

Disney Uses Epic’s Unreal Game Engine to Render Virtual Sets In Real Time on The Mandalorian

  • News
11

3 Fundamental Ways of Adding Sound to Film

  • News
12

The Sound of Monsters University

  • News
13

Becoming The Entrepreneurial Filmmaker

  • News
14

Time to Ditch Premiere Pro CC for DaVinci Resolve 16? Engadget Says Maybe

  • News
15

The Sound of First Man

  • News
16

4 Tips To Help You Begin a Documentary Film

  • News
17

Netflix Announces Post Technology Alliance to Help Filmmakers Prep Deliverables

  • News
18

Blackmagic Follows Apple’s Lead and Releases it’s own RAW Video Codec

  • News
19

Screenplay Competitions – Are they worth the entry fee?

  • News
20

Six Key Areas in Which Film Festivals Need To Up Their Game

  • News
21

The Hollywood Reporter Introduces You to 25 Industry Players Who Can Get Indie Films Made

  • News
22

4 Filmmaking ‘Rabbit Holes’ To Avoid

  • News
23

RED Announces the New Monstro 8K VV Full-Frame Sensor for WEAPON Cameras

  • News
24

Blocker App Brings Augmented Reality Shot-Planning to Your iPhone

  • News
25

12 Angry Men- A Lesson in Staging

  • News
26

How to Make a Blockbuster Movie Trailer

  • News
27

Common Mistakes Directors Make When Adapting a Book into a Movie

  • News
28

Clint Eastwood Gives the Cinema Masterclass at the 2017 Cannes Film Festival

  • News
29

How to Film Safely at Height

  • News
30

Behind the Scenes With the New RED Weapon 8K Camera on Guardians of the Galaxy Vol.2

  • News
31

The Economist Thinks We’ve Reached ‘Peak Indie’

  • News
32

Financing Your Short Film – Three Ways to Bypass Industry Gatekeepers

  • News
33

Pixar in a Box – Free 9 Part Course in Storytelling

  • News
34

The 24 Best Movie Posters of 2016

  • News
35

How to spot a scam film festival

  • News
36

5 Movies that Will Change Your Perception of Movie Making

  • News
37

The Fifteen Points of Mise en Scene

  • News
38

Kodak to offer free filmstock to Kickstarer filmmakers

  • News
39

How To Stop Your Characters’ Dialogue From All Sounding The Same

  • News
40

Review: Directing Motion Tour with Vincent Laforet Bundle

  • News
41

Star Wars: The Force Awakens VFX Reel

  • News
42

Just When You Thought They Were Out… Kodak Launches Super 8 Revival

  • News
43

Tarantino and Team Talk About Shooting for 70mm on The Hateful Eight

  • News
44

Birdman and the Secret of ‘Continuous’ Takes

  • News
45

Script Rewrites: The Good, The Bad, and The Convoluted

  • News
46

Manage Collaboration During Post More Effectively with Everytime

  • News
47

Callsheet Operator – Call sheets for the 21st century

  • News
48

Should Authors Become Screenwriters?

  • News
49

CGI and Practical Visual Effects of Mad Max: Fury Road

  • News
50

Composing movement, Kurosawa style

  • News
51

How to be a Filmmaker

  • News
52

Understanding Speedboosters

  • News
53

Becoming a Full-Time Filmmaker: When to Quit Your Day Job.

  • News
54

The Man Behind the Voice – Getting the Most from ADR

  • News
55

Why a Director Shouldn’t Edit Their Own Film

  • News
56

Why You Shouldn’t Use Shaky-Cam

  • News
57

The Sound of Interstellar

  • News
58

Effective Scenes – Silence of the Lambs

  • News
59

Beware of scam ‘film festivals’ and dubious competitions.

  • News
60

FEAR ON FILM: Landis, Carpenter, Cronenberg!

  • News
61

Matt Damon and Ben Affleck Want You For Project Greenlight

  • News
62

Top 10 Most Effective Editing Moments of All Time

  • News
63

Game of Thrones S04 VFX Reel

  • News
64

Michael Bay and ‘Bayham’

  • News
65

Voice Over Recording Equipment

  • News
66

Making my first Commercial: A Filmmaker’s Diary

  • News
67

COMPETITION: YouTube and D&AD Launch ‘Next Director’ Award

  • News
68

COMPETITION: Win a scholarship to Budapest Film Academy

  • News
69

How an Actor’s Face Changes With Lighting

  • News
70

New Mo-Cap Rig Renders Scenes in Real-Time

  • News
71

Interview with VFX Pioneer Dennis Muren

  • News
72

D16 Bolex ‘Digital 16mm’ Camera Available to Pre-Order

  • News
73

How To… Film The Great Outdoors Using a DSLR

  • News
74

3 New Skills Every Digital Editor Should Develop

  • News
75

Film School Thru Commentaries

  • News
76

Movie Poster Cliches

  • News
77

The future of cinema and TV: It’s game over for the hi-res hype

  • News
78

4 Reasons Why Video Glasses Could Replace External Camera Monitors

  • News
79

Lucas & Spielberg’s Death Knell and What it Means for Indie Creators

  • News
80

The Changing Shape of Cinema: The History of Aspect Ratio

  • News
81

How to Create Subtitles

  • News
82

Director Kory Martin Juul Creates CG Feature Almost Single-Handedly

  • News
83

What Could Remake-Obsessed Hollywood Learn From Shakespeare?

  • News
84

Three Online Colleges that Offer a Degree in Filmmaking

  • News
85

Zach Braff, Kickstarter, and Financing Your Film For Free

  • News
86

The Next Greatest Thing of the Movies… Not!

  • News
87

3 Tips for Terrific Title Sequences

  • News
88

Technicolor Adds Final Cut Pro X Support to Color Assist

  • News
89

The Roles of a Producer

  • News
90

Kodak’s 2013 Student Scholarship Program

  • News
91

Through the Lens: Conversations with Cinematographers, Dean Cundey

  • News
92

Top 5 – Crowd Funding Mistakes

  • News
93

Have Seamless Green Screen Sets Finally Arrived?

  • News
94

Documentary Filmmaking: When Lying Tells the Truth

  • News
95

COMPETITION: Nokia + Music Video + Sundance London = Cash Prizes!

  • News
96

How to be Quentin Tarantino

  • News
97

The Sound of The Hobbit: An Unexpected Journey

  • News
98

How Digitization Affects Film Festivals

  • News
99

COMPETITION: Win a Scholarship to Study Filmmaking or Screenwriting at Budapest Film Academy

  • News
100

HFR Filmmaking with Hollywood FX Pioneer Douglas Trumbull… from the 1980s

  • News
101

TUTORIAL: Colour Grading a Sequence in Final Cut Pro

  • News
102

Big Apple Film Festival: November 14th-18th

  • News
103

The Sound and Music of ‘The Dark Knight Rises’

  • News
104

Festival du Nouveau Cinéma

  • News
105

How To Move from Photography to Cinematography

  • News
106

Recommended Read: ‘My Indecision is Final’ by Jake Eberts

  • News
107

GreenlightMyMovie Wants to Get Your Work In Front of Hollywood

  • News
108

Tom Cruise Wants to Help You Make Movies With Your Mobile

  • News
109

COMPETITION: ‘Imagination Series’ with Oscar-Winning Screenwriter Geoffrey Fletcher, Tribeca Film Festival, and Bombay Sapphire

  • News
110

San Francisco Frozen Film Festival, July 2012

  • News
111

The Sound of Prometheus

  • News
112

TUTORIAL – Quick Car Crash in After Effects

  • News
113

REDucation X – Learn to Shoot RED, the ‘Deep-End’ Way

  • News
114

So You Want To Break into Comedy Writing?

  • News
115

SeeFlik Offers Biannual Filmmaking Competition… With Cash Prizes!

  • News
116

The Shaky Cam Trend

  • News
117

Greeting Cards for Movie People

  • News
118

How Long Should Your Short Be?

  • News
119

Editing Dialogue Tutorial: How to Edit a Dialogue Scene

  • News
120

Horror Effects That Won’t Scare Your Budget

  • News
121

Secrets to Film Distribution Success

  • News
122

Negotiating The Holdback: What’s At Stake

  • News
123

Technology and Film Editing

  • News
124

‘The Hobbit’, Shooting with 48(!) RED Cameras… at 48fps

  • News
125

The New New Thing…

  • News
126

Creative Minds Cannes Internships

  • News
127

How To: Filmmaking Techniques, Camera Angles and Basic Shots

  • News
128

Flixfling Introduces Indiefling Channel for Independent Filmmakers

  • News
129

Montana Film Office to Give Away $20k in ‘Pitch the 406’ Contest

  • News
130

DIY: How to make inexpensive cheap homemade LIGHT STANDS (PVC)

  • News
131

An Innovative Approach to Royalty-Free Music and Sound FX for Your Project

  • News
132

DIY: How to make a cheap BOOM POLE and SHOCK MOUNT

  • News
133

POINTS OF INTEREST: How Drugs, Rock and Roll and No Sex Made a Movie

  • News
134

The Hollywood Reporter 2011 Film School Rankings

  • News
135

Competition: Want to Make a Music Video for Queen?

  • News
136

Film London’s Market Place Live: From Inception to Exhibition in 90 Minutes

  • News
137

Raindance and Direct Line Challenge You to Tell a Story in 40 Seconds Straight

  • News
138

RED vs. Alexa? Depends on the job.

  • News
139

So You Want to Make a Movie?

  • News
140

DA VINCI for Free is the best marketing strategy ever

  • News
141

Get Someone to Help you with the Scissors

  • News
142

Lessons Learned on a Microbudget Horror Film

  • News
143

Anatomy of a Scene: The Building Blocks of a Memorable Movie

  • News
144

EPIC and the change in RED from Consumer pricing to Professional Pricing

  • News
145

So You Want to Make a Movie: Team Work

  • News
146

The filmmaking.net Links Directory is Now Live!

  • News
147

High School Filmmakers Tear Down Walls

  • News
148

Trailer Festival 2011 Now Accepting Submissions

  • News
149

Returning to Super 8

  • News
150

Building Suspense: How to Keep the Audience on the Edge of Their Seat

  • News
151

Screenwriting: How to Get and Work with an Agent

  • News
152

Competition – make a part of Stephen Gyllenhaal’s next film

  • News
153

Filmmaking is Making Widgets

  • News
154

Ambitious Internet TV start-up looking for indie film content

  • News
155

Product placement app launches, promotes ‘scripts first’ policy

  • News
156

Free Cinematography Tutorials

  • News
157

Book Review: The Guerilla Filmmaker’s Pocketbook

  • News
158

Time Warner Cable and IFC Want to Take You to Sundance 2011

  • News
159

Preproduction: How to Make Sure You’re Ready Before You Walk on the Set

  • News
160

Interview with Legendary Documentary-Maker Ken Burns

  • News
161

New HD Art Channel Looking For Experimental Films

  • News
162

IFP Filmmaker Conference: The Future of Film

  • News
163

The San Francisco Film Festival Lives Up to Its Reputation

  • News
164

Really Interesting Interview with Producer Gary Kurtz (Star Wars, Dark Crystal..)

  • News
165

Experience Boston’s Fabulous Film Festival

  • News
166

Is Your Script Ready?

  • News
167

Phillips and Ridley Scott challenge filmmakers to ‘Tell It Your Way’

  • News
168

Experience the Magic of the Chicago International Film Festival This Year

  • News
169

Win Storage Gear and €5000 with Hitachi G-Technology

  • News
170

Get Your Short Factual Film Funded by Don’t Panic

  • News
171

Will the Real Author Please Stand?

  • News
172

Video: Working with 3D – The Sony World Cup Commercial

  • News
173

Focus 2010 – World Film Market Trends

  • News
174

Virgin Media Shorts is a short film competition that champions undiscovered talent.

  • News
175

Book Review: Think Outside of the Box-Office

  • News
176

Have a Sync: the new tool for music licensing

  • News
177

Self Distribution: The Only Game in Town

  • News
178

Distribution: The Never Ending Story

  • News
179

Tribeca Film Festival: Can Social Media Help ‘Indie’ Filmmakers Make It Big?

  • News
180

What I Really Want to Do Is Direct, Part I

  • News
181

How to Market and Sell Your Movie on The Internet

  • News
182

Should You Move To Los Angeles?

  • News
183

5 Tips for a Successful Film Reel

  • News
184

Filming Interviews for a Documentary

  • News
185

Risky Business: Producing ‘Indie’ Films

  • News
186

Tech vs Oldies Competition – Make a Mini-Doc and Win $10,000

  • News
187

Top 5 Film & Video Production Career Opportunities

  • News
188

The Heart and Soul of Great Dialogue

  • News
189

100 Prints launches new resource for British indie filmmakers

  • News
190

Show Me The Money – European Audiovisual Observatory Cannes Workshop

  • News
191

Millions of film makers can be heard over the Internet but who is listening to them?

  • News
192

Win a Free Production Kit with EDIUS

  • News
193

Video Hosting Site Quality Comparison

  • News
194

One Fat Cigar Launch Competition

  • News
195

Focus 2009 – World Film Market Trends

  • News
196

Interview: Script Pimp’s Chadwick Clough on Producing ‘Rogues Gallery’

  • News
197

Reinvent a 1980s TV Commercial for Riunite and Win $10,000

  • News
198

Keep the script bank full: Watch out for the No-Man’s Land!

  • News
199

New Short Film Distribution Guide

  • News
200

Focus 2008 – World Film Market Trends

  • News
201

Writing A Script

  • News
202

Review: ‘Movie Photos’ by Alex Bailey

  • News
203

Love Linux? Make a video and win a trip to Tokyo!

  • News
204

Review: ‘Getting Your Short Film Funded, Made, and Seen’ edited by Tricia Tuttle

  • News
205

FestBomb – A New Premium Festival Submission Service

  • News
206

Film Financing for the DIY Filmmaker

  • News
207

New Virtual Film Festival Unites Filmmakers and Film Executives

  • News
208

50 Things to Know About Film Production

  • News
209

Adding Value to Your DIY Film

  • News
210

Win a Development Deal with IFC and Red Bull

  • News
211

What Radiohead’s ‘Name Your Price’ Download Experiment Means for Filmmakers

  • News
212

Mistakes Made by Documentary Filmmakers

  • News
213

3D Storyboarding and Pre-Viz Made Easy

  • News
214

Music in Your Movie

  • News
215

The Cliff Notes to Succeeding in Hollywood

  • News
216

10 Great Production Tips to Enhance Your Film

  • News
217

WGA strike and the future of film and TV production

  • News
218

The Bollywood Piracy

  • News
219

Radar Gives New Directors Chance to Crack the Music Industry

  • News
220

Shooting Urban Films

  • News
221

Matching Independent Filmmakers with Global Distributors

  • News
222

The New Film Distribution: What You See is What You Get

  • News
223

Cannes Market Focus 2007

  • News
224

The Death of Piracy

  • News
225

Appropriating the Film Text in a Digital Age

  • News
226

HungryFlix.com offers digital distribution for indie filmakers

  • News
227

You are the Box Office Smash: The Personal Screenplay

  • News
228

How to Get Foreign Distribution For Your Film

  • News
229

POV – Inferior technology

  • News
230

BAFTA Launch ’60 Seconds Of Fame’

  • News
231

Make a Short Film, Win Cash Prizes

  • News
232

Seeing What the Camera Sees

  • News
233

How To Build A Buzz Machine For Filmmakers

  • News
234

Making the Cheapest Film on Earth

  • News
235

Making the Cheapest Film on Earth

  • News
236

Webfilm – Much ado about nothing?

  • News
237

What if I haven’t gone into production yet?

  • News
238

What Is A Pro?

  • News
239

Generate Date-Time for Podcast, Vodcast, or RSS feeds

  • News
240

What is Vodcasting?

  • News
241

Low Budget Filmmakers Must Do Everything Required

  • News
242

What if I haven’t gone into production yet?

  • News
243

Just Do It! The Art of Zen Filmmaking

  • News
244

How To Make A Real Independent Movie

  • News
245

Another Solution for Distribution is the Do-it-Yourself Approach

  • News
246

Ensuring an Audience and Repaying Investors

  • News
247

Don’t Pay Rate Card!

  • News
248

Five Good Producer Skills

  • News
249

Working with Actors for Film

  • News
250

Thinking About Distribution Before Starting Production

  • News
251

‘A Self-conscious Mise-en-scene’ a filmmaking experience

  • News
252

What to Do until the Money Arrives

  • News
253

Get Published – Write for Filmmaking.net!

  • News
254

Writing Effective Dialogue

  • News
255

War of the Words

  • News
256

V-Pods – Video iPods and the Indie Filmmaker

  • News

Film Schools

Australia (25) Austria (7) Belgium (10) Brazil (19) Canada (25) Chile (7) China (5) Colombia (8) Czech Republic (6) Denmark (9) Finland (7) France (25) Germany (25) Ghana (11) Hong Kong (8) Hungary (5) India (25) Indonesia (10) Ireland (13) Israel (12) Italy (25) Japan (7) Malaysia (6) Mexico (15) Netherlands (10) New Zealand (22) Nigeria (25) Norway (8) Pakistan (20) Philippines (12) Poland (9) Portugal (12) Russia (7) Singapore (8) South Africa (25) South Korea (10) Spain (24) Sweden (13) Switzerland (13) Thailand (8) Turkey (21) United Arab Emirates (9) United Kingdom (25) United States (25) Venezuela (5)

(c) Filmmaking.net 2025. All Rights Reserved.
  • About
  • Advertise
  • Privacy & Policy
  • Contact