You've hit on the problems of buying, CI, and there's no real answer to that. I wonder if the studios can rent their soundstages and allow the tenant ...
The same issue in real estate will apply to film just as it applies to any other business. Of course, the usual problem is selling it, once your film ...
I prefer renting in my business, because I can always move. But there's a point where it may be more cost-effective to buy, especially if interest rat...
quote: Yep. That's the way it's done. You rent a stage, build your set, shoot your movie, take the set down. Even for a space bridge? What abou...
I really appreciate the help, Brian. As for renting the premises, what about a bridge??? You can rent a "hotel room" soundstage or a "restaurant" s...
I'll go for cheap and good, because I got time - I've been talking about this for years, and I've only decided to become a producer, as opposed to dir...
I started this thread awhile ago, and I've been coming back to this (and other) threads, because, believe it or not, I have been trying to learn the b...
How much does an episode cost? And what's your game plan?
Have you considered film school?
One fan film company, Star Trek Phase II, has built its own studio - it bought an empty car lot in upstate NY and converted it into a sound stage for ...
I thought the original Hawaii Five-0 was set in Hawaii. I agree the story and characters are far, far, more important, but an exotic locale can be imp...
quote:Originally posted by bjdzyak Yep. It's entirely a story driven thing. Location can be just as much a "character" as any of the character are. ...
That then leads to the question of where the writer would set his stories. If it's arbitrary, then I've got my answer.
I'm asking the question to see if there's anything I missed. As I said, I have no experience in this business, so I want to know why producers set the...
NYC is too cold in the winter and too hot in the summer. San Francisco, like Seattle, is moderate year round, but SF has the potential for earthquakes...