What is the best way to order credits?

    Filmmaking.net logo placeholder for Posts

    The order of the credits in the film is normally determined by three things: industry convention, the contractual arrangements the production has in place with principle cast and crew, and the filmmakers’ choices.

    Most films have two credit sequences: a ‘main’ credit sequence either at the beginning or end of the film, and a ‘roll’ or ‘crawl’, which is almost always at the end. Whether a film uses an opening or closing main credit sequence is normally determined by the filmmakers.

    The main credit sequence usually contains credits for the principal cast, heads of department, and main creative contributors to the film. Which roles get a place in a main credit sequence is usually up to the filmmakers, however many contracts with key personnel will include a clause stipulating a credit in the main sequence. Industry convention also means that certain personnel will expect a credit in the main sequence, and it may cause friction if the credit is not offered.

    In a main credit sequence at the beginning of a film, the typical order is as follows:

    – Company Credits (‘presented by’ etc)
    – ‘A film by’ (director’s name)
    – Lead actors
    – [FILM TITLE]
    – Key supporting cast
    – Casting Director
    – Heads of Department (e.g. Production Designer, DOP, Editor, Sound Designer etc)
    – Writers
    – Executive Producers
    – Producers
    – Director

    If the lead actors are particularly famous, it is not uncommon for their credits to be ‘above the title’ (i.e. before the film’s title is shown). It has also become the norm for the director to receive a ‘a film by’ type credit early in the sequence. Originally reserved for famous directors, most directors now expect this. However, it is not without controversy. Many non-directors feel that these types of credits can overly attribute the film to the director, when if fact if is the product of collaboration between a range of different creative talents.

    If the main credit sequence is at the end of the film, the convention is as follows:

    – Director
    – Producers
    – Executive Producers
    – Writers
    – Heads of Department
    – Casting Director
    – ‘A film by’ (director’s name)
    – [Film Title]
    – Lead Actors
    – Key supporting cast

    Note that the film’s title is normally shown before the cast names.

    When it comes to the end credit crawl, convention dictates that cast is shown first, followed by crew, music, and finally the ‘thank yous’. Cast who receive a credit in the main sequence are also included in the end crawl along with the name of the character(s) they played. Although no visual priority is given to principal cast in the end crawl, many films opt to list cast with leads and major roles first. However, some filmmakers choose to list cast alphabetically or in order of their first appearance in the film.

    In terms of crew, heads of department and key creatives (e.g. the director) who received a credit in the main sequence do not typically receive a one in the end crawl.

    The end crawl is normally rounded off with the copyright notice and a disclaimer stating that the film is a work of fiction.

    Benjamin Craig

    Benjamin Craig is an award-winning filmmaker and chief executive of Cinemagine Media Limited. With a career spanning theatre, film, and new media, his credits include Waiting for Gorgo and Sparks and Embers. He is the author of the Cannes and Sundance Festival Virgin's Guides and has written for Vogue and GQ. Based in London, he is also the founder of filmmaking.net and holds a Masters in Producing Film & Television from Royal Holloway, University of London.

    Disclaimer

    Please note that the content presented here belongs exclusively to the author shown. The Filmmaking.net editorial team does not take responsibility for their responses and opinions. However, we strongly back up their viewpoints because they come from seasoned professionals with extensive experience and expertise in the filmmaking industry. You might come across some contrasts on certain topics, but we usually follow a consensus. Therefore, if you'd like to hash out a topic further, feel free to drop by our community.

    Sincerely,

    Filmmaking.net Editorial Staff.