Benjamin Craig is the chief executive of Cinemagine Media Limited, a London-based cross-media production company specializing in the integration of traditional filmmaking and digital marketing strategies. In his current role, he oversees a diverse slate of projects that leverage his extensive experience in both the creative and commercial sectors of the industry. As an award-winning filmmaker, Craig’s production credits include notable titles such as Waiting for Gorgo, Sparks and Embers, L’Ardennais, and The Circle. Beyond active production, he continues to serve as a strategic consultant for digital marketing agencies, applying his expertise in cross-media opportunities to bridge the gap between storytelling and modern brand engagement.
Craig’s career in media began exceptionally early with a role in the 1970s Australian Broadcasting Corporation soap opera Certain Women, though he eventually transitioned to behind-the-camera roles. He holds a Bachelor of Arts in English from Curtin University of Technology and a Masters in Producing Film & Television from Royal Holloway, University of London. Throughout his trajectory, he has worked across theatre, television, and new media, moving from Australia to Europe in 1996 to further his involvement in the fledgling digital landscape. His background as a freelance writer is equally extensive, having contributed to high-profile publications such as Vogue, GQ, and Condé Nast Traveller.
In addition to his production work, Craig is a recognized authority on the international film festival circuit. He is the author of the industry-leading travel guides Cannes – A Festival Virgin’s Guide and Sundance – A Festival Virgin’s Guide, which provide essential logistical and strategic advice for filmmakers attending these major events. As the founder and former editor-in-chief of filmmaking.net, Craig has dedicated a significant portion of his career to developing educational resources and community platforms for independent creators. His multifaceted expertise in production, digital marketing, and editorial leadership has established him as a central figure in the global independent film community.