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Filming on October 16th, DPs out there: HELP!

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(@constantine)
Posts: 7
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Topic starter
 

Hello, I am filming a short film on October 16th and desperately need help with information about gaffing. Just to give you a run down of my situation, here it is:

We're filming at a supermarket during the store's closed hours. The owner was nice enough to allow me and my small crew in to film this. That said, we have only one night at making this film the right way so there is a significant amount of pressure on me.

The total runtime of the movie will be between six and seven minutes and we have about 11 hours total to capture this. All our equipment will be rented: An HD camera, a glidecam, various gaffing equipment, a monitor, and sound equipment. In total we're spending about 1500 dollars on this.

However, here's where it gets tricky. I had a director of photography, a guy about 20 years older than me who works professionally on TV shows, movies, etc. I wasn't able to pay him, but he wanted to do it because he believed in the script. However, he recently got hired to do a feature movie and had to drop out. Since all filming will be done between 10pm and 7:30am, it was impossible to find a replacement DP under the short notice who could work these late hours. So now, I need to figure out how to light my own movie!

I have a crew of five people. Me, the director, my producer who is a film school drop out, my sound engineer, my good friend who has made a couple short films in just DV, and a photographer who has never worked on a movie before. We'll have all the proper lighting equipment rented, I'm just not sure any of us know how to actually use it!

Our x-DP took some lighting measurements a few weeks ago when he was still on the project and said that the supermarket was ideally lit, meaning most of the shots won't have to be heavily manipulated. However, we have one shot that takes place outside the supermarket and since it will be night, we'll need to correctly light it. Obviously, there will be a lot of trial and error going on the night of the shoot, but at the same time, our time is limited.

My question then to all of you (just imagine a well-lit supermarket) is how would you go about lighting this movie? I want just a natural look to the film, nothing crazy. I just don't want the audience to look at the movie and say "man this is really under lit" or "man this is really over lit."

I really would appreciate a response from any of the gaffers or DPs who use this forum. Thank you. ?:)? Please be as specific as you can in your responses.

 
Posted : 06/10/2007 11:09 pm
 Kess
(@kess)
Posts: 129
Estimable Member
 

I would go in and shoot some test footage prior to that night. That way you have an idea as to the look. I realize you are shooting with a different camera (renting) than you might be able to use in a test shot, but you don't want to wait until everybody shows up and realize you can't shoot...due to lack of additional lighting, etc. Plan ahead by test shooting. Solve that problem.

What genre is your script? I'm guessing comedy since you want it normally lit. Since the store will most likely be overhead lighting you may need some bounced light or additonal lighting to remove some of the shadows from the above lighting. Go into the store at night and study the light. Make sure you can achieve the look you want.

You might want to shoot some exterior footage as well...without your lighting set up so you know what you have. Spend some time with your crew over at the location so everyone knows the location. Sound can also be a problem with possible interior noises plus exterior. Make sure everybody knows the location prior to shooting.

You are renting a lighting package I assume? What kind and what color of light? Make sure you have matched lighting.

 
Posted : 08/10/2007 8:18 pm
(@constantine)
Posts: 7
Active Member
Topic starter
 

Kess,

Thanks for much for help. I will make sure there is bounced light. We're renting a standard lighting package (tungston, I believe). We're going to get plenty of gels, etc. so hopefully we'll be okay.

Acutally, luckily, the guy producing my movie found this crazy Russian DP somewhere in NYC. I'm meeting him tomorrow, so hopefully, he's the right man for the job (he better be since we're filming on Tuesday!).

Thank you again.

Constantine

 
Posted : 11/10/2007 11:21 am
(@funmusicgirl)
Posts: 7
Active Member
 

thanks for the advice kess

 
Posted : 09/11/2007 3:16 am
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