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How to get rid of distracting reflections on the w

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(@robinstanley)
Posts: 1
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Topic starter
 

Hi there,

Has anyone got any smart advice on how to get rid of these reflections on the wall behind the man with the torch?

http://www.youtube.com/user/PoisonedLightChannel#p/a

In the first half of the clip you can see the problem. In the second half you can see my unsuccessful attempts at defeating this problem in Photoshop by exporting the clip as layers and then working on each layer individually painting out the reflections. Before re importing the clip back into Final Cut Pro.

The problem seems to be that each frame looks good when viewed individually but viewed as a sequence the repainted frames are just as distracting as the original problem that I was setting out to solve! What should I be doing.

Does anyone have an idea. I have Final Cut Pro, Photoshop, Motion - It it possible using this software to cure this problem?

Thanks in advance.

 
Posted : 24/02/2010 2:37 am
(@bjdzyak)
Posts: 587
Honorable Member
 

Those are reflections. It's a flare caused by direct light being refracted through the various elements in the lens. Some expensive professional (read: expensive) lenses help to reduce flares, but whenever that kind of direct light enters the front element of the lens, you'll get a flare and there's not much you can do about it.

One way to reduce the flare is to soften the light coming from the flashlight (torch). The way the shot looks now, the light level is brighter than it truly needs to be to sell the idea that the character is holding a torch and shining a light out into the darkness. Try placing a small circle of Neutral Density gel over the torch's front lens to reduce the amount of light it shines. You could also try to place a bit of diffusion material over it too.

The only reason you might need a high intensity light in a shot like this would be if you wanted to see a beam of light, in which case you'd create "fog" so that the light had something to shine against. You'd also be able to enhance this look by using Xenon flashlights, though typically, they need to be powered externally, so your Actor would carry the unit and the cable would be hidden up his sleeve and would trail behind him as he walked.

As far as fixing a flare in post, as you've discovered, there's not much you can do effectively.

Brian Dzyak
Cameraman/Author
IATSE Local 600, SOC
http://www.whatireallywanttodo.com
http://www.realfilmcareer.com

Brian Dzyak
Cameraman/Author
IATSE Local 600, SOC
http://www.whatireallywanttodo.com
http://www.realfilmcareer.com

 
Posted : 24/02/2010 9:38 am
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