Of course you did. So will you settle for 'stock' or 'library' music? Especially considering all of the soul you put into every detail. Go the extra step and separate yourself from countless other filmmakers and take the time to hire and work with a composer. Give your film a unique aural voice - and match it with the visual one you created.
My name is Troy Sterling Nies and I am a credited composer. I am always looking to expand my creative network and would be happy to disucss working with you on your project.
At your convenience you can listen to examples of my work at ?url?www.troysterling.com?/url?. I look forward to hearing from you and possibly working with you!
www.troysterling.com
Hey Troy,
Great Post....
I will offer a testimony to this composer.
Troy and I have worked on a number of projects together and he is one of the most professional, curtious and talented composers i've worked with, in the past 30 some years. Incredibly creative with orchestration, sounds and instrumentation. Works in collaboration extremely well with the director and the sound designer, a true Pro in the best sense of the word. I highly recommend his talents to all film makers.
Jim Rieder
Sound Designer/Composer
http://www.suiteaudiosounddesign.com
Jim Rieder
Sound Designer/Composer
http://www.suiteaudiosounddesign.com
