Filmmaking.net Editorial Staff

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Why You Shouldn’t Use Shaky-Cam

If you haven’t read my article on why you shouldn’t edit your own film, read that first. In my article on objectivity, or the lack of it that we have as filmmakers, I used Paul Greengrass’ Bourne films as an example of lost objectivity. But those films are good for something else, too. Never, in the…

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Voice Over Recording Equipment

When setting up a small voice over studio, it is highly important you know your options and evaluate your own budget and financial position to decide just how ambitious you can be with your own studio. You might be a voice over actor, or in need of voice over for any form of media, but setting up the…

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COMPETITION: Win a scholarship to Budapest Film Academy

If you fancy a filmmaking sabbatical to Hungary for autumn 2014 then the scholarship competition at Budapest Film Academy is definitely for you. Submissions are currently being accepted for scholarships in screenwriting, directing, producing, cinematography, editing and sound recording courses. Budapest Film Academy (BFA) and Eötvös Loránd University (ELTE) have joined forces and launched an English and Hungarian language film academy in…

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4 Reasons Why Video Glasses Could Replace External Camera Monitors

Despite the fact external monitors have dropped in price considerably over the years, they still cause many difficulties for filmmakers and photographers that have small production crews. Even the most accessible external monitors can be fiddly and difficult to see properly in bright locations, often making their unique selling points not worth the hassle. Video Glasses can…

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How to Create Subtitles

Unless you happen to be a true polyglot, chances are you’ve relied on subtitles to make sense of things at some stage, whether it’s the latest foreign art-house flick or just quiet, muffled or plain incomprehensible speech in your own language. It’s often forgotten, however, that subtitles have also long played another vital role in…

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